One of the joys of collecting ceramics are the stories behind the pieces we have in our collections. Many of the stories you are about to read are from real collectors, the majority of whom are members of the Southeast Asian Ceramic Society, who have shared here the motivation or emotion–or knowledge gained or lessons learned–from a ceramic in their collection. Other stories are from folk tales or other literary sources where potters or ceramics have played a key role. We hope you will enjoy these stories, and do let us know if you’d like to add your own….
Qing Dynasty, Xuantong Mark and Period Pair of Wine Cups with a rare Studio Hallmark
A Ming Dynasty Jiajing Mark Imperial Yellow Bowl
A Kangxi Buckle
Contributed by Andrew Nai, SEACS Councillor and officer (2015-)
Contributed by Alvin Chia, SEACS President (2008-2011)
Contributed by Lim Yah Chiew, former SEACS Councillor and officer
A Dehua (Blanc de Chine) Seal-Paste Box
The Search for a Modern Chicken-Headed Pot
A Khmer Waster
Contributed by Dr Kenson Kwok, Founding Director, Asian Civilisations Museum and SEACS President (1990-1992)
Contributed by Patricia Bjaaland Welch, SEACS President (2017-2020).
Contributed by Dawn F. Rooney, SEACS Life Member
When a tsar orders ten cart-loads of ceramics from an honest potter a lesson is learned about those who try to fleece honest men
A Satchanalai Figurine in the Form of an Elephant with a Rider and Keepers
A Cretan Clay Bull
A Sankampaeng Ceramic Bowl
Contributed by Atthasit Sukkham, Asst. Curator, Southeast Asian Ceramics Museum (Bangkok, Thailand)
Contributed by Professor Keith Branigan, Emeritus Professor, Dept. of Archaeology, The University of Sheffield (U.K.)
Contributed by Ruth Gerson, Freelance Writer and collector
A Short Story about a Ceramic Plate
Collecting the Contemporary
A Lotus-Leaf Longquan Bowl
Contributed by Pauline Ong, SEACS Life Member
Contributed by Bernadette Rankine, Director for Southeast Asia, Bonhams
Contributed by Johanes H. Rizal, SEACS Councillor and officer (2015-) and serious collector
How Yixing made me even 'pottier' about Teapots
From 'Made in Malaysia' to 'Made in Singapore'?
Collected by Ed Conyngham, a career Foreign Service Officer and ‘Old Asia Hand’
Contributed by Tim Clark, SEACS Councillor and teapot collector
Contributed by Low Sze Wee, CEO Singapore Chinese Cultural Centre and SEACS Life Member
A Charming Pair of Ribbed Lai Nam Thong lidded pots
A Shiwan 'Laughing Buddha'
'Freddie's Folly'
Contributed by Paul Bromberg, Contributing Editor of Arts of Asia, author of Thai Silver and Nielloware (River Books, 2019) and SEACS member
Contributed by Ng Seng Leong, SEACS member, and author of Culture in Clay: Symbolism & Iconography in Chinese Ceramics
Contributed by Freddie Oh, a career Foreign Service Officer, SEACS member and collector of Southeast Asian art and ceramics
Contributed by Margaret White, Overseas SEACS member
Contributed by Mathew Welch, SEACS Life Member
Contributed by Jo Groarke, SEACS Member and Singapore ACM docent
Contributed by Mathew & Patricia Welch, SEACS Life Members
Contributed by Margaret White, Overseas SEACS Member
Contributed by Ann Proctor, Overseas SEACS Member
Contributed by Tim Clark, SEACS Councillor and Singapore FOM docent
An unfired pot causes a death. An 18th century tale from Shah Abdul Latif’s Risalo (a collection of poetry)
One of the more than 500 tales of previous births of Gautama Siddhartha, warning us of the danger of attachments